The photography might have always been offering too much, so that ,from the offered,one could not simply retract The one thing lacking that could have made this into a rule, was the exception itself. It is Tudor’s photography that provided us with the exception as well.

Among the offered, from the technicality as a key to creativity to aestheticism preceded by any sign and of any origin, from the conventional forms of the so-called art photography, to genre classifications as a series of market institutons, that is of institutionali­sed production for that same market all in all, in the space almost congested by the offer of big and small series of photographic inventions as omni-determining for the photographer’s report and his personality, Tudor, in hermit-like isolation, and with ascetic discipline, deals with primary language of photography and explicitly by its expression.